Fall Portrait Marathon, Cosmo
I'm going to try to remember to take more scans along the way for Cosmo's portrait, and write a bit about each stage as I go.
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Cosmo - work in progress 5" x 5" acrylic on canvas ©Xan Blackburn 2012 |
So, with the washy start from
our last look as a starting place, most of the darkest darks at least indicated, it's time to really start filling in. As always in this portrait, the texture of the fur is going to be important at each step, though the sharpest detail will be reserved for his handsome face, to keep our attention there.
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Cosmo: reference photo |
My philosophy there is to avoid getting stuck in a technical distraction, where the viewer is more involved in the technique than the overall effect; Cosmo himself. When we look at something naturally, we focus our own sharpest attention right in the center of our field of vision, with the edges getting progressively soft. So, to take a photo, which is indiscriminate in its focus across a whole depth of field, and re-imagine it as a painting in a sense is to translate it to a more natural way of seeing, while giving the artist control over what will become the focal points, and therefore the emotional impact, of the painting.
I would love to hear from you if that kind of discussion is enlightening about my choices, or just a lot of bla-bla-bla that you sort of skim over. It truly is the stuff going on in my head, at least at an unconscious level. Bringing it up in words to tell someone sort of explains it to me at the same time!
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Cosmo - work in progress 5" x 5" acrylic on canvas ©Xan Blackburn 2012 |
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Cosmo - work in progress - detail 5" x 5" acrylic on canvas ©Xan Blackburn 2012 |
Anyhow, moving on to the next stage, I started with his eyes, darkening the pupils, and defining his eyeliner. Then, I let my attention sort of wander, picking out areas that needed more generally dark tone, and then more picky hair texture. You can see in the detail below how the balance is shaping up, in terms of soft focus/harder focus. I've kept the texture sort of fluffy in the edge of the cat bed, and intend to keep it in soft focus, with the exception of a suggestion of its carpet-y texture at the edge nearest his face.
At this stage, the shape of Cosmo, his roundness, is starting to be more evident. I'm pleased so far.
Now, back to it.
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