Allegante Delaney 11" x 14" Acrylic on panel ©Xan Blackburn, 2011 |
I lost a day's work yesterday while enjoying a visit with H's cousins (okay, mostly to housecleaning in anticipation of their arrival.) When I came back into my studio this morning, it was to see that the elves had been working on my painting. Or at least it seemed more finished than I thought two days ago. Yeay!
Looking back at the last stage I showed you, everything is pretty much settled. What remained was detail, and a bit of balancing working all through the painting, making sure the perspective was clear, and that the focus stays on Delaney herself.
I spent a lot of time with the smaller brushes, as I always do at this stage, working back and forth between shadows and highlights to pull out details of the fur. I darkened the whole eye area on the shadow side. I also continued to balance the light reflecting warmly up from the grass and the rather narrow cooler band of shadow coming down from the top edge. Towards the very end, I washed up some of that yellow-gold into the underside of her face, up her sides, up her back legs. It surprised me how much I had to add into her front legs and chest area, but I really liked how it brought a sense of atmosphere into those areas. You can feel the heat coming up from the grass, now. Every painting is a learning experience for me! I love that.
Allegante Delaney, detail ©Xan Blackburn, 2011 |
The grass got glaze after glaze, blades and blades, too distinct, too fuzzy, too white, too green, too yellow ... until I think I can stop.
Which brings us to the sleep-on-it stage!
Again from the CBC: One young woman who got to meet Prince William today said "he smelled so marvelous!" Love it!
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